Archive for November, 2009

1958 – Sparky the Robot Pup – Gaylord Welker (American)

"Sparky" the Robot Pup appeared in Dec 1958-Jan 1959 issues of Popular Electronics. Full pdf here Sparky the Robot Pup PE Dec 1958-Jan 1959.

 

HOW IT WORKS
When main switch S1 is closed, all relays stay in their unactivated position and power is supplied only to the drive motor (M2) and "eye" lights. The robot moves forward until one of the feelers contacts something with enough pressure to close switch S2 or S3. When the left feeler closes S2, the following sequence is initiated. RL2 is energized and electrically locks in. Contacts 7 and 8 of RL2 reverse drive motor M2 and energize steering motor M1.

The latter is polarized to turn away from direction of contact as Sparky rolls backward. RL2 also disconnects L1 and L2, turns on L3, and supplies heater current to RL3. The other pole of M1 is supplied from contact 4 of RL1. After three seconds, RL3 opens, releasing RL2, so that the circuit reverts to the normal forward running condition.
When the other feeler arm closes S3, both relays are energized, causing M1 to swing in a direction opposite to that of the S2 closed condition. All of the other reversing operations are similar. Movement of the robot is really a random path determined by the heating time of RL3. If RL3 is warm, turns and backing cycles are of shorter duration.

Mr Welker has an interesting writing style -"…If drive motor polarity is correct, Sparky should take off for the nearest table leg."
 

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1958 – Cyber the Dog – A.H. Bruinsma (Philips) (Netherlands)

A.H. Bruinsma  Roboter Schaltungen  Orig 1958 German edition, Eng translation 1965.  Actually called “Cyber” (pronounced Seeber).  These books are Philips publications, and I think Bruinsma worked for Philips.

Notes: 1. Anne Hendrik Bruinsma is probably more well known for his work in Radio-control. (I previously thought Anne was a female name, but can be Male in the Netherlands. Thanks to his grandson, Wyste for this correction.)   
2. I’ve also seen an article (“Man and Time”, J. B. Priestley p129, 1964) showing Cyber and incorrectly referring to it as the 1929 Philidog!

Notes from book:

Bruinsma's definition of a robot: Circuits or machines responding independently and unfailingly to certain stimuli from outside….They do not acquire skills not built into them by the designer.

The Eyes

Photo-electric cell:

Note: the book gives quite a detailed description of how the PEC works, and in particular, gives the chacteristics of model no. 90AV, the same as was used in Dr Grey Walter's tortoises.

Cyber is employed with a "stereoscopic" photo-electric cell circuit. Mounted on a turntable and can track a light source. The turntable turns through a small arc swing. When no light is detected, the seach turns to and fro from one end of the arc then back to the other end. The scan is not continuous in one direction. The Eyes cut out when the ears are activated.

The Ears

One Microphone used in each each and wired up in a stereophonic circuit.  They are mounted on the same turntable as the PEC (ie the head and neck). The ears react to different signals, 1) a whistle actives the stereophonic circuit and will track the source; 20 The robot's name (pronounced "Seeber") and will stop for 20 seconds upon hearing its name, and in the radar circuit described later.

Sense of Touch

A microswitch on each side covered by a disc so covering as large an area as possible. The robot will reverse the steering direction for a short period of time. As this touch circuit is 'primary' the robot may become confused in what it was performing prior to the contact.

Nose

In this case, the nose is used for temperature sensing, utilising Negative Temperature Coefficient (NTC) resistors. The circuit is tuned for the warmth of a hand or the heat of a hot-dog sausage. A hand held 10cm in front will trigger the circuit after about 1 minute. A hot sausage will trigger the circuit much quicker.  There are two resistors, so if a hot dog is put in front of its nose but to one side, the robot will turn its head in the direction of the hot dog, then operate the tongue as if to lick it.

Seeing in the Dark – Acoustic Radar

The sound generator, for practical reasons, sounds like a kind of barking noise for about 3 seconds. The circuit is tuned to be sensitive up to 1 metre. If an object is detected in that space, the robot will stop, then reverse.  If the robot, when walking backwards, happens to come into contact with another by its tail, the robot will stop going backwards and move forwards again. In effect, the robot "barks" at any object encountered. This may be the first cybernetic animal or robot that has utilised acoustic radar.

Other notes:  The neck and steering of the front legs are not run off the same spindle, but are separate.


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1958 – Machina Reproducatrix – Angyan (Hungarian)

The model seen here is  Dr. Andre  (Andrew) John Angyan's first cybernetic model, Machine Reproducatrix, built in Budapest, Hungary.  It very much follows the Grey Walter tortoise in terms of construction and function (of CORA – Machina Docilis).  His later machines, constructed by Kretz with Zemanek, are the subject of a later post.

 

Image is from the December 1958 Teddington Conference on "The Mechanisation of Thought" proceedings by Blake and Uttley, Vol 2. London ,  in a chapter titled "Machine Reproducatrix" by Angyan, pp933-44 (see pdf below).

Although Angyan produce his dissertation paper on Conditioned Reflex in 1955, the first date of the models appearance that I can find is 1958 when he demonstrated itat the Teddington conference "Mechanisation of Thought" of that year. It may have appeared earlier as Daniel Muszka, of Szeged, Hungary, in 1956 was aware of Angyan's work in 'conditioned reflex' , and maybe even of his tortoise when he was starting to build his own labybug of the same year.


PDF from  Teddington Conference here Dr. Angyan – Mechanisation of Thought Processes 1958 describes Machina Reproducatrix in detail.


Computer Oral History Collection, 1969-1973, 1977
Heinz Zemanek Interview, December 12, 1972, Archives Center, National Museum of American History

ZEMANEK:

 es. Well, I got also into the Russian environment by–I was interested in cybernetics. I …got Wiener's Cybernetics; the old professor gave it as a present to me. I have the signature in and the date, so I know when it was: [15th January 1952]. When I had read that book I didn't know what cybernetics was, so I looked further on and I found that there were three real machines in existence, namely …Walters' Turtle, Ashby's Homeostat, and Shannon's mouse in the maze. And I started to do th[em] with my students. And I guess I'm the only man on earth who had copied all the three.

TROPP:

[Laugh].

ZEMANEK:

 [Our] Homeostat … [is] a nice version, I happened to fall into a student who was in a plastic factory. So he could … shape everything very nicely. With the two others we did quite a development. Shannon's Mouse in the Maze we extended to have not only the information in what direction the mouse had left the field, but we added an algorithm concerning Ariadne's    thread. Which is another two bit information. And with that the algorithm became complete, [avoiding looping and able to go back from the found goal to the start.] In the other case you would not know if–well, you would have to go into detail of that thing. So that was very nice. The other development was the artificial turtle. That, as you know, was the idea of just realizing as a little moving around circuitry an algorithm written down  by Pavlov. Now I had, for some reason, the chance in 1959 to have [in Vienna] all that year a Hungarian specialist in conditioned reflex behavior, [A. J. Angyan]. And he would tell us all the stories and we would translate them, the student and I, into a circuitry, in an extended artificial turtle. On this there exists a paper in 1960 at the Fourth Conference on Information Theory in London.* … Now this was a very remarkable automaton because it had six state variables. So, in principle, it could react to the outside stimuli in sixty-four different ways. Now it didn't have all the sixty-four states. It had some forty states, but parts of them were not stable in time. They would jump back into more stable states. But still then the pattern of behavior was very complicated. But it really gave a model of the complete knowledge of the East and West school of behavioral sciences in the conditioned reflex field.

TROPP:

That's fascinating.

ZEMANEK:

Now, this was–I may make here a remark which relates to much later work, it was my first experience with the problem of translating from natural language descriptions into formal descriptions.[*Angyan, A. et al. 1961. "A Model for Neurophysical Functions." In: Fourth London Symposium on Informatyion Theory (C. Cherry, ed.). London: Butterworth. Pp. 270-284.]

Medical people, of course, don't have very much of an algebra to describe what they are doing. So the usual situation was we should say "we have understood what you have told us, we have formalized it." Then we gave examples. "If, if, if that happens on the outside, then, then, then the following would be the direction of the machine." And it happened very frequently that he would say, "yes, yes, yes–no, I haven't said that." We had said, "you didn't say it, but it's the clear logical conclusion of what we have derived from our talks." He said, "No, that's not at all so." So we had to re-phrase the early description and step by step we came then to something which was satisfying to him. We also became aware of the remainder which is always there if you go from informal speaking to formal. In the informal way you are not very precise. You have contradictions. But you cover a wider field, because you always can operate with a part of the knowledge, which is the active working of the brain. Doesn't need that much specification but has items in it which are larger, they are not worked out, but they are contents which the formal definition then would miss. So it was from that time on that I was very sensitive to any tension between formal and informal description, which was very helpful for my later language development. Now let us return, how does it come I moved into computers? As I say, I was interested and we did a number, we did at least two bigger relay machines. One was an analysis machine for logical functions. You willcertainly remember the work done in England by [McCallum and Smith of] Ferranti.* … And we did the same. … We had telephone equipment and [on this machine LRR1,**one] could program any Boolean expression, like on a telephone switchboard. And then the machine would run through…–up to seven variables, 128 combinations–and it would [indicate and store] "yes" or "no" [for each combination].
 


from "Beyond art: a third culture : a comparative study in cultures, art …, Issue 72" By Peter Weibel, Ludwig Múzeum (Budapest, Hungary – 2005)

 
Heinz Zemanek p327
6. Cybernetics
Electronics began flirting with biology early on in the 1930s, and there were even forerunners in the nineteenth century. Actually, electricity began with biology and Galvani in the 1930s, its main purpose was telecommunication, and its goal was to learn from biology. The 1950s became the golden age of cooperation. and there is a familiar key word for it, cybernetics. Again, I may and must begin with myself, because I am the only one on earth who has built and further developed all three basic models with my students. They are the Artificial Tortoise. the Mouse in the Maze, and the Homeostat.
The artificial tortoise looks only slightly like a tortoise and was not intended to imitate one. Rather, it is a model for the conditioned reflex the Russian physiologist I. P. Pavlov developed the algorithms for it around 1890 When a dog sees food,  the production of saliva in his mouth increases. This is an unconditioned reflex if a bell is rung at the same time (Pavlov used an electric door buzzer), the animal learns that the bell promises food, saliva production increases when the bell rings, even if no food Is visible. This is a conditioned reflex that disappears when the hope for food is not fulfilled often enough. Pavlov described the phenomenon, not as a formula but in prose. British neurologist W.G Walter recognized that this model Could be made electronically and built a little covered vehicle (hence the name tortoise), containing a lamp and whistle. Symbolizing food and sound respectively if the vehicle has an obstacle, the cover closes a contact; the model rolls back and tries again, adjusting a little more to the right or left. This creates the impression of animal behavior. The first Vienna model was a copy of Walter's model and represented Austria at the first cybernetics congress in Namur in 1956.
My medical partner for the next step was Hungarian neurologist and psychologist A.J. Angyan. He traveled with a more complex model of Walter's tortoise to a conference in London, the Mechanization of Thought Processes, in 1958  and stopped at our institute in Vienna in order to improve his somewhat poor model (at that time, cybernetics in the communist countries was still a bourgeois, decadent quasi-science, and Angyan could not obtain proper components). On his return trip, he decided in Vienna not to return to Hungary. but to apply for an American visa. During the waiting period, which lasted longer than expected (a good opportunity for us!), he not only cooperated with us as a team member in developing an expanded model for two connected conditioned reflexes but also obtained a grant from the Rockland State Hospital in New York City, which permitted him to live in Vienna and contribute a little to the costs — in return, the Hospital received one of the two models built. The student assistant was Hans Kretz. Altogether, we built more than five models of the tortoise in Vienna. The Rockland State Hospital was satisfied with the result, and, after Angyan finally got the visa for the U.S.A., he captured the interest of Warren McCulloch, who liked to support immigrants and took him under his wing. Angyan's further career was guaranteed.
Another variation, fully transistorized, was built in Vienna by a student, H. Bielowski. Interestingly enough, it turned out to be bigger, not smaller — that would be different today. This model was shown in the Austrian Pavilion at the World Expo in Montreal in 1981.
 

 

HANS KRETZ: An Interview Conducted by David Morton, IEEE History Center, 25 July 1996

Interview #283 for the IEEE History Center, The Institute of Electrical and Electronics Engineers, Inc.

Copyright Statement
This manuscript is being made available for research purposes only. All literary rights in the manuscript, including the right to publish, are reserved to the IEEE History Center. No part of the manuscript may be quoted for publication without the written permission of the Director of IEEE History Center.

Interview
INTERVIEW: Hans Kretz
INTERVIEWER: David Morton
PLACE: Vienna, Austria
DATE: July 25, 1996

Education and Cybernetics
Kretz:

I was born 1930, in Linz, in Upper Austria. After primary school and high school in Vienna I went to study telecommunication and electronics. In German we said "technique of low currents," a rather old-fashioned expression. I studied at the Technical University in Vienna, and graduated in 1960 as Diploma Engineer. My thesis was on a Cybernetic subject called the "artificial turtle." It was a model of neuropsychological functions. This is the more scientific description. I was engaged about two years to talk with a neuropsychological physician from Hungary. He told me what more or less simple animals are doing if certain stimuli are applied. And I made a block scheme out of his different remarks and descriptions. And afterwards I made the technical realization in the form of a small battery operated self-running model. It operated on different preconditions. I "taught" the model to build up so-called conditioned reflexes, as Pavlov's dog has done. From time to time it would "forget" something it had learned in previous periods and it could be shocked by strong stimulus, and so on. Afterwards I built two models. One for the young Hungarian who immigrated 1960 to the States and demonstrated his model at MIT, for instance. And people were very impressed but said the model was too small.

Morton:

What was his name?

Kretz:

Andrew Angyan. Later on, he was a physician in Los Angeles. Now I made another model for my university, the Technical University of Vienna. This model later on came to the Technical Museum of Vienna where my model can be seen together with a picture and a short description of myself. In this technical museum you can also see another cybernetics thesis, e.g. a model of a "mouse in a maze" after the principle developed by the Greek myth of Ariadne's thread, and also the famous "Mailuefterl." It's the first fully transistorized mainframe computer in Europe. Made at the technical university under the chief management of Professor Heinz Zemanek, a pioneer not only in Austria but at least in Europe of cybernetics and as well in computer questions. One of the most experienced in that respect. I myself was half a year afterwards a scientific assistant in this scope at the university. I had lectures in London at the Royal Academy and in Karlsruhe at the Nachrichtentechnische Gesellschaft. And later on there were several publications on this specialty. On the other hand my job meant to handle most modern topics.

——–end excerpt—-

[7] Kretz, H. 1961. "Vollständige Modelldarstellung des bedingten Reflexes" [Complete model of the conditioned reflex]. InLernende Automaten, NTG Fachtagung, Karlsruhe 1961, Munich, R. Oldenbourg, pp. 52-62.
[8] Kretz, H., A. J. Angyan and H. Zemanek. 1961. "A Model for Neurophysiological Functions,"Fourth London Symposium on Information Theory, London, Butterworth, pp. 270-284.
[9] Kretz, H. 1962. "Kybernetik-Brücke zwischen den Wissenschaften" [Cybernetics–bridge between the sciences] and "Modelldarstellung biologischer Verhaltensweisen" [Models of biological behavior].Umschau, pp. 193-195 and 240-242.

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1957 – Cybernetic Tortoise “Beta” – Vasilyev and Petrovsky (Russian)

 

 

The Cybernetic section of the the Moscow Politechnical museum. You can see "Beta" in the centre. It is quite small in size. The other clear-plastic model was built for the museum and is the subject of another later post.

  

 

There is a single drive motor, only driving the left-hand side wheel.

The steering in its normal position of pointing straight ahead. One can see the pin protruding from the vertical shaft and the adjustable stop bolt. 

Here the solenoid has been activacted , the wheel rotated anti-clockwise by a small amount. When the power to the solenoid is stopped, a spring returns the wheel to its central position.

The pictures above and below show the operation of the conditioned reflex function. In this case the tone is supplied by a hand-held unit, and when held over the carbon microphone and activated, the neon lamp lights up, and the tortoie responds as if it has hit an obstacle.

Note that the lamp can be seen illuminated through the shell, indicating the shell is made of painted plastic or fibre-glass.

The name "Beta" comes from a Polish re-print of the original Russian article. It may not have been called "Beta" in Russia – can someone confirm?

Sorry that no descriptions are in Russian. This verson of the blog software does not appear to support the Russian cyrallic character set.

Original Russian articles pdf found here Vasilyev Petrovoski Cerepaha 1957.

Video clip found here. It appears from the video clip that this cybernetic tortoise is still using its original electronics.

[Thanks Joseba Arruabarrena as the video clip is now on youtube.] 

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1956-57 – Elektronikus Katicabogár (Electronic Ladybird) – Dr. Muszka Dániel (Hungarian)

**Stop Press** – See Daniel Muszka with his Ladybird at the Robots Festival

Nov 30-Dec 31 2011 Science Museum, Exhibition Rd, London, SW7 2DD 
The Science Museum's 'Robots Festival' begins with a five-day 'Roboville' event showcasing the latest in robotic research and development – including emotibots, swimming shark robots, medical robots and autonomous moving robots. During the festival, there's also a children's conference, animation workshops, Q&As with curators and robotics experts, art and multimedia installations.
 

Daniel Muszka, June 2009, giving a demonstration . Initially he shows basic photo-tropism, where the ladybug turns left, right, or travels straight ahead, depending upon which of three photo-electric cells is illuminated. He then goes on to demonstrate the conditioned reflex capability. He explains that due to age and the time it takes to learn, the ladybird's pen is too small, so he mounts it on a block to the drive wheels are free to rotate. He then uses a whistle  along with the light source (a torch) to train it. Eventually, just by blowing the whistle, and no light source, it has now been conditioned to drive the motors (you can hear the motors whirring into action).  The 'memory' is a slow drain in the capacitor, so it soon forgets the conditioned response (the whistle) and has to be re-taught. Daniel then demonstrates the contact sensors i.e. the black dots, and shows how these stop the ladybird. A re-assuring stroke of the ladybird's back (actually the depressing of a vane on the model's back) restores function. Daniel then removes the fibreglass shell and shows its internal workings. 

 

Dr Muszka Dániel (1930-) . Daniel with his Elektronikus Katicabogár (Electronic Ladybird) 

A young Daniel (on the right)l with László Kalmár (1905-1971, IEEE Computer Pioneer 1997). University of Szeged.

 

The above picture shows the first version of  Szegedi Katicabogár. The wheel on the left is powered for steering and appears to utilize the fixed angle method rather than a continuous rotary motion similar to Grey Walter's tortoises.

 

The images in yellow above are from an early paper. The pdf is here Szeged Katicabogar Muszka Daniel. When I complete the English translation I will publish it here in this blog post.

 

Cybernetic Machines – T Nemes, translated by W A Ainsworth, Budapest

1969, p172
The "Coccinella", constructed at the Institute of Pedagogy and Psychology of Szeged University, Hungary, is a 'machina docilis' of the appearance of a ladybird, of 60 cm length and 25 cm height. Two of its photoelectric cells are connected like those of the Philips dog, so that if the machine has once "caught glimpse" of a lamp, it interrupts its search and heads towards the lamp till a third photoelectric cell switches the drive motor off when the light source is in the axis of the machine. On tapping or pressing the spots of the ladybird, the machine stops and emits a soft murmuring sound. This sound ceases when the back of the machine is stroked, and the machine begins to move again. The sound of a whistle of a certain pitch makes some lamps mounted on the machine light up. Several such conditioned reflexes can be stored, because the circuit which reproduces the development of the conditioned reflex is exceedingly simple (one tube only!). There are only 7 vacuum tubes, 3 crystal diodes, 3 photoelectric cells, 1 microphone and 2 motors in the machine: Instead of a battery of its own (the early models carried small batteries) this machine trails a flex connected to the mains.

Note: Nemes above says the Ladybird searches for light, where in actual fact the ladybird only moves if it sees a light.

The Szegedi Katicabogár as it was in 2009. The power supply has been upgraded. This is the second version which had major changes, particularly around the steering. What was previously the steering wheel is now just a castor wheel. The side wheels are independent and operate off their own motors (early windscreen wiper motors).

Detailed photograph showing the castor wheel. What looks like a simple relay in the foreground is actually a buzzer. This buzzer sounds when Katicabogár is stopped when one of the black dots is pressed.  The photo below shows the inside of the shell, and one can see what looks like a red 'fin'. This is spring loaded and wired and protrudes from the top of the shell.  When the shell is "petted" (actually pushing the long "fin" down, the ladybird starts up again, re-assured that it is now safe to continue. If there was any conditioned reflex action learned, it is now forgotten. 

The cylinder to the left of the black contact dot is a modern replacement for the original microphone. Further to the left of the photo one can see two of the three photo-electric cells used . (They are coloured red as original)

No trickery here. The original valves (vacuum tubes) have their heaters glowing, ready for action. Original relays still work. 

Daniel Muszka training  Katicabogár for conditioned reflex action. He shone the torch into the central photo-electric cell and blew the flute at the same time. This was repeated multiple times until eventually the Katicabogár move forward just by blowing the flute.  Regular blowing of the flute would continue to re-inforce the conditioned reflex. If the flute was not played again, the model would eventually forget the reflex and would either have to be taught again, or just follow a light source only.

  

The above pic is a clip from a TV news clip whereby the local TV station had invited Daniel in to demonstrate the Katicabogár. Everything was ready to go until they switched the studio lights on which totally confused the machine. They quickly relocated the demonstration to the nearby floor, but Daniel was only formally dressed from the waist up, wearing sandals, etc. Clever lighting ensured a successful demo without highlighting Daniel's casual garb from the waist down.

 

The first version of the shell was made out of papier mache. Over time becoming brittle and showing signs of cracking. A modern reproduction of Katicabogár was produced for the Budapest Museum. A second mould of the shell was taken and now adorns the original Katicabogár in Szeged. 

 

 

Rough machine translation of the description found here http://www.inf.u-szeged.hu/~csendes/katica/honlap/mukodes.htm

The Ladybird models both the unconditional and conditional reflex models. It is able to respond to a sound, to light, and to touch. If the light and sound stimuli are at the same time it learns that it should respond to a sound in the same manner as earlier it did to the light, that is, a conditional reflex takes shape in him. This learned reflex may be forgotten if the stimuli are not presented again.
After the Ladybird is switched on the eyes of the beetle do not respond to dim light. If a light-source (ie. torch) is shone into his eyes the animal moves in the direction of the light and if the torch is moved the Ladybird will follow it. If the light is turned off or is too far away, it stops then, his eyes is insensitive again to dim light. If a flute is played, the eyes flash, indicating that he perceives the sound. If the light and the sound stimuli are coincident then they are associated then the beetle moves when it hears the sound only, and moves in a straight line.
Under the dots of the beetle are switches. If we press one, or if he touches an object then the result is he closes his eyes (the same as if the light was turned off), expresses his disapproval with a growl, forgets the learned reflex and in this state neither reacts to light nor to sound. We can comfort it in that situation by caressing button on his back. At this time the growl stops, his eyes light up, and he becomes reactive again.

The above replica was made in 2004 for the Budapest museum , I believe. It uses modern electronics, modern windscreen wiper motors. The shell made for this version was duplicated and the copy is now the shell for the original one in Szeged.

June 2009 – Reuben Hoggett (the author), Daniel Muszka, and David Buckley pose with the Szegedi Katicabogár. Photo taken by Mike Bohus.

Trip Notes June 2009

"We need to keep in mind the politics of both Hungary and Austria at this time.  Post WW2 , Hungary fell under the influence of the Soviet Union officially by 1949, with the Soviets crushing the Hungarian revolution later in 1956. Stalinism was experienced during the end of fourties and the beginning of fifties in Hungary, the political police arrested not only the ruling members of the former regime, but also the most distinguished members of the intelligencia. They then constructed legal cases against them. The fortunate ones were sentenced to prison for a short or long time. Unfortunately, some excellent specialists were sentenced to death. In 1955, the Austrian State Treaty and ensuing declaration of neutrality established Austria as a demilitarized and neutral country.

Daniel Muszka built his first lady-bug starting 1956 and finished in 1957.
Its interesting to note that the Zemanek models (Vienna, Austria) were not "scanners" i.e. photo-electric cells mounted on a rotating front steering wheel, but utilized a fixed angle reverse turn mechanism. 
The first Hungarian model by Angyan was a full rotary scanner. Daniel  was requested by the newly formed  Cybernetics Laboratory headed by Laszlo Kalmar to build a conditioned reflex model. He requested information from Angyan but is was not forthcoming. His brief was to build a model that encompassed Tropism, conditioned reflex, and defensive reflex.  Although the first model had a partially rotating front steering wheel (spring return as per Vienna model), the photo-electric cells (PEC) were not mounted with it, but he deployed three fixed PEC's mounted in the shell.  Daniel did say he had difficulty getting this first version working properly, and subsequently moved to steering powered by the rear drive wheels. The left and right PEC's were used for steering, and the front PEC used  for the driving forward.  Daniel had an excellent understanding of electronics, and was building radio sets early in life. He used this knowledge to build the lady-bug. I believe the second version was built to his own design from a descriptions mentioned above, for he had nothing else!
Grey Walter himself commented in his book "The Living Brain"  that there were difficulties in getting the mechanics of his models to work properly.

Bohus Mihály (1949-) . Above is a picture of Mike (as Englsh-speaking people would call him) going through a demonstration of phototropics. The daily running of the Museum (www.infmuz.hu) is largely down to Mike these days, whose speciality is Telecommunications.

The Computer Museum is well worth the visit. My own IT career started in the early 1970's and I had fun playing with the old IBM 360 / 370 series mainframe computers and peripherals. Quite a flashback for me.  A visit is by arrangement only so please contact Mike in the first instance.

 Informatika Történeti Múzeum Alapítvány Gy?jteménye
 (Collection of Foundation of Informatic History Museum),
Address: H-6728 Szeged, Budapesti út 5.
 (Building of earlier soviet military camp,
  NW of Szeged, near SZEGED sign on E75/5 road to Budapest)

* Update: 29 Nov 2010 – Mike Bohus writes to me:

In 2010 June 29 Daniel was 80.

New film: http://www.infmuz.hu/Filmek.htm
  A szegedi katicabogár (WMV 112 MB) [in Hungarian]
(Bemutatja az alkotó, Dr. Muszka Dániel, Szeged, TiszapART TV, 2010)
 (Bohus Vera is my daughter.)

Best Mike (Mihály)