Posts Tagged ‘Swiss’

1913 – Giant Mechanical Mosquito – Dr. Gustav Luchy (Swiss)

During some earlier research on Walking Machines, discovered an article in The Salt Lake Tribune. (Salt Lake City, Utah), March 09, 1913 headlined "The Giant Mechanical Mosquitoes Of Dr. Gustav Luchy." Now that it's come time to write it up, I see that Lyle Zapato's in his blog ZPi has already done a fine job in researching the material. So I will just add the picture and text transcribed here. 

 

Picture Diagram Illustrating the Inventor's Idea of the Development of the Luchy Machine, Drawn from Sketches of the Small Working Model. The Essential Points of the Invention Can Be Grasped Easily by Study of the Carefully Worked Out Illustration. The Artist Has Shown the Machine at Work in the Antarctic, Boring Through the Ice Cap Down into the Internal Fires of the Earth. While the Inventor Has Suggested the Possibility of Tapping Earth's Heat in This Way, Other Scientists Believe Such a Development Highly Improbable. Not Only Would the Tools Have to Be of Impossible Length and Size, but It Would Not Be Possible to Generate Enough Power to Run Them. Besides, the Internal Fires, When Struck, Would Destroy the Tools Instantly. The Future of the Invention Lies, It Is Believed, in Smaller Machines Which Are Able to Carry Men into Places Inaccessible to Other Means of Conveyance and at the Same Time to Provide Shelter.

Giant Mechanical Mosquitoes to Conquer Nature!

Astonishing Machines Suggested by a Swiss Scientist to Open Up Earth's Remotest Places, and to Make Impossible a Repetition of the Captain Scott Tragedy

Milan, Feb. 20.[1913]

SELF-MOVING mechanisms modelled on the lines of gigantic mosquitoes and designed to enable man to conquer Nature in those places where the climate or the formation of the country make it impossible for him to enter or to remain for any length of time have been invented by Dr. Gustav Luchy, a Swiss scientist. Dr. Luchy, who has been collaborator with the Chevalier Pini, [actually Ing. Guiseppe Pino] the inventor of astonishing machines for exploring the sea bottoms, asserts that if Captain Scott had been equipped with one of his mechanical mosquitoes he could have made his way to the South Pole within a few hours after leaving his base. He also claims that the machines will make impossible any repetition of the Scott tragedy [from 1912], and will enable man to wrest from the Antarctic continent its mineral treasures without exposing their operators to the slightest danger.

Despite man's boasted mechanical progress, his engines of locomotion are singularly limited. The locomotive is dependent upon rails; the automobile demands at least a fairly smooth surface on which to run, and the flying machine as yet lacks efficient carrying power. None of the three is equipped to provide adequate shelter for any length of time in parts of the earth's surface where without shelter man cannot exist. Dr. Luchy's problem was to find a mechanism which could be independent of rails, would not be deterred by obstacles impassable to the automobile, would have practicable carrying power, and would provide shelter to a sufficient number of men for a sufficient length of time to enable them to do whatever they had set out to do.

In the formation of the mosquito he claims he found the combination of leg height with carrying power that he desired. The appearance of the machines in action would recall vividly the appearance of the Fighting Machines of the Martians in H. G. Wells's "War of the World's," a description of which is reprinted on this page. [See original for excerpt under the title "The Weird, 'Living' Machines of the Octopus-Like Martians".]

Only small working models of the mechanical mosquitoes have as yet been made by the inventor, but these seem to be as practicable as the paper plans promised. A large working model forty feet high when the long, articulated legs are fully expended, is now in course of construction. In the body are the engines which, provide its motive power and the quarters for a crew of ten men. The head is nothing more than a huge engine, from which are operated the drills, cutting tools, lifting cranes or whatever it is that is necessary for the work at hand. The inventor has in mind still larger machines built on exactly the same lines. He believes that there is no limit to the size of his mechanisms, and that it will be possible to build a mechanical mosquito big enough to walk through the shallower depths of the ocean, and to be powerful enough to cut through earth's crust to the internal fires—the same plan that has been suggested by the famous astronomer, Camille Flammarion, as a solution of the problem of our future source of energy when our coal beds give out.

The Luchy machines, besides being foreshadowed in Wells's fanciful story, have actual predecessors in travelling stages in use at Whitby, England, for marine work. These machines, the invention of Messrs. W. Hill & Co., are now being used for the construction of concrete breakwaters and similar operations. A description of their simpler mechanism will serve to make a trifle clearer the mode of locomotion of the Luchy machines. The Hill stages have eight legs and feet, four of which are used at a time when in motion. There are two massive steel framework structures, one inside the other, the outer being square, and the inner rectangular, the latter being somewhat smaller than the other. The legs, comprising stout members, which can be moved up and down vertically for a considerable distance, are fitted at the corners of each stage, and are pointed at the lower end to secure a firm grip upon the rocky seabed.

The walking action is secured as follows: The outer frame has its front legs lowered until the spuds (or feet) secure a grip upon the seabed. The legs of the inner stage are then raised to clear all obstructions when the stage is moved for ward the full extent of its travel, which brings it against the forward end of the outer stage, when its legs are lowered to the ground. The legs of the outer stage are now elevated vertically, so that the latter rests upon the former.

The outer stage is now moved forward until the inner stage is brought into contact with the rear end of the outer stage. The legs of the last named are then lowered, those of the inner stage raised, and the same cycle of operation is repeated.

The "walking man" is quite a massive affair. The outer frame is 48½ feet square, and it stands 33 feet high from the bottom of the spuds to the working deck level. The inner stage is 29½ feet by 40¼ feet. The result is that the machine can make a forward stride of about ten feet, while the inner stage can move sideways for about three feet. The feet are raised and lowered by screw gearing driven by electric motors. A complete movement can be effected in fifteen minutes.

It has been found that, with this travelling stage, work can be continued in the roughest weather. Indeed, it was the heavy seas experienced at Peterhead that led to its invention.

The Luchy machines have six articulated legs, three on each side of the body. Each leg ends in a deeply ridged foot, designed to give gripping power and to insure stability. The parts where the legs come from the mechanical body move on ball joints, thus giving free movement in all directions.

A study of the diagram on this page gives more clearly than any written description could, the essential principles of the Luchy invention.

In the Antarctic are enormous fields of mineral wealth. Captain Scott reported great coal beds and evidences of platinum, gold, iron and other useful minerals have been reported by other explorers. The great question has been how to get this mineral wealth away from such a place. The land is frozen and for a great part of the year is swept by terrific blizzards, in which man can hardly live, much less work. But it is claimed for the Luchy invention that several machines, each capable of holding crews of forty or fifty men, could be taken down to the Antarctic land mass. There they could be adjusted and could be effectively worked for the greater part of the year at least.

The boring tools in the head of the mosquitoes can be manipulated entirely from the inside of the machine itself and the body of the mechanism provides perfect shelter against the worst climatic conditions that could be encountered.

The machines will be made of steel and aluminum, and are not inordinately heavy. They are run by the Diesel oil machines, and the problem of fuel is the difficult one. It would be with coal. It will even be possible to use one machine as an operating mechanism and to use several others as carriers for whatever ores or other earth's treasures their crews are after.

For work in deserts, where the only means of access is by caravan, it is thought that the Luchy machines will be extremely useful. They do away with the necessity of erecting elaborate buildings or elaborate fortifications against hostile tribes, and can move easily and swiftly from place to place. They carry their own supplies and their own means of movement, and so are not dependent upon their surroundings.

In tropical countries, where locomotive travel is impeded by the vegetable growth, the machines can be equipped with cutting tools, and could clear a path to whatever point aimed at in a fraction of the time compared to the slow methods now in use.

Finally their use as war engines, as terrible as the fanciful "walking tripods" of Mr. Wells's Martians, is being brought to the attention of the Italian Government.

It is only fair to say that many scientists are skeptical as to the practicability of the machines. They grant that they will have limited use, but doubt if they can be extended to the deep sea wading size predicted by Dr. Luchy. Complexity of parts, weight and the enormous energy needed to run them on a large scale are put forth as arguments against their unlimited use.


Like Zapato, I also cannot find another mention of Dr. Gustav Luchy. Zapato makes a comment assuming Luchy is Italian, be he is Swiss and collaborated with Guiseppe Pino who is an Italian. I've tried searching on variants of Luchy's name, but currently without success.


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1959 – Nico, St. Nikolaus and SamiKlause – Peter Steuer (Swiss)


SABOR with younger "brother" Nico (left) in Chicago.


A video clip of SABOR's younger brother and sister can be found on the Archivio Storico Istituto Luce site  here.  The site is in Italian. Check box "archivio cinematografico" and search on "Notizie brevi da Gossau".

Girl reading brochure on SABOR as handed out by Nico (Gossau, St Gallen, Switzerland – 1959).

Nico pulls out a brochure advertising SABOR.

"Samiklaus", another SABOR sibling, with hula-hoop.

Images of Nico as he is today living with Peter Steuer's daughter, Barbara Douvalakis. Thanks Barbara for the images and scans.

The SABINA Marketing Brochure for Nico and St. Nikolaus. SABINA was the name of Peter Steuer's business for his robots.


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1976-2009 SABOR V “Orbitus” – Peter Steuer / EBM (Swiss)

A period photo of SABOR as "ORBITUS" – Image courtesy Barbara Douvalakis – Peter Steuer's daughter.

SABOR V in the "Die Roboter Kommen!" exhibition in Berlin, 2007.

Sabor's remaining spares held in the EBM Museum, Switzerland.


SABOR V with his "Orbitus" head gear taken   off.

In 1964, Sabor conformed to the astronaut look and temporarily adopted the name Orbitus.

1976 was the last great performances with SABOR opening an old people's home, a place he could not make a reservation himself. For years SABOR stood in Steuer's garage. It wasn't  until after his death in 1990, SABOR found his way to the EBM Museum in Switzerland.  SABOR V then had a major outing at the Museum of Communications in Berlin at the remarkable exhibition "Die Roboter Kommen!" ("The robots come!") in 2007.

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1954 – SABOR V – Peter Steuer / Eric Lanz [1961-9] – (Swiss)

Queen Juliana opens Holland's Flower Show in 1955. SABOR greets her and she accepts a gift of flowers from him.

See Video clip here.
register for free, then login and search for "100 YEAR OLD HAARLEMMEERPOLDER"

Film Title: QUEEN JULIANA OPENS FAIR – HOLLAND  
Card Title: 100 YEAR OLD HAARLEMMEERPOLDER
Location: Harlem, Holland
Date: 07/07/1955 
Length: 41 secs 
Story Number: 63983
Description: Queen Juliana performed the opening ceremony at the centenary of a famous Dutch Exhibition. Her Majesty's bouquet was presented to her by a Robot.
Shot List: CU of Queen Juliana and party. GV of exhibition. Queen opens gate. Robot presents flowers. Robot shakes hands with the Queen.


SABOR exhibit building in Brussels World Exhibition, 1958.

One of the last modifications made was to inlude light control via photo-cells. The flashing torch corresponding to the rotary dial.

Peter Steuer with SABOR V c1960.

SABOR V in Kassell, c1967.

SABOR had his fair share of pretty women!



Peter Steuer with SABOR on the liner "Rotterdam" on their way to New York – May, 1961.

Flash light control was put in place by Eric Lanz for the American trip.

SABOR V lights a cigarette for "Rotterdam" captain, Commodore Coenraad Bouman.


SABOR V went on tour to Israel.


SABOR with Joachim Kulenkampff.


Brochure: Courtesy Barbara Douvalakis, Peter Steuer's daughter.


Spare parts used to maintain SABOR when on a tour, now at the EBM Museum in Switzerland.


Transcription of emails I had with Eric Lanz from Jan-Feb 2008.

RH: I would like to know all the functions Sabor V can perform. i.e. walk, wink, head tilts forward?, smokes, raises arm, twists wrist, bend elbow, steers left/right?

EL: The basic functions are as follows:
Dancing backwards and forward movements,smoking via a vaccum pump,cigarette in
the hand,shooting a pistol, moving arms up and down, head turning left /right, eyes
open/shut and blinking. Sabor could not turn only straight walking forward or
backwards.

RH: I would also be interested in getting a description of the visible components ie where they are located and what they do ie the two meters in the middle of his chest, telephone dial, head functions, the number of radio-control channels, etc
EL: Controls:
Basic all functions via telefon dial i.e. dial 11 and he would walk etc,remote control via
handset or remote station.Voice and lip movements when talking only via remote station.
Radio controlled (function identical of model aeroplane). Voice over Short wave or later
FM modulation.

RH: Does he have an inbuilt voice/vocabulary, what remote control features are there, is there an automatic mode or not?
EL: My functions:
Maintain service and repair,transport to and from places of display,i.e United States in
1961,when in shows I was hidden away on a remote location i.e behind curtain or other nearby room,I would hear what Peter was asking Sabor and I would make the functions via remote station with dialling and voice. I speak French, English, German, Italien and Spanish…..I also had a dictonary at my station in case some more tricky questions needed an anwser.
The voice was picked up by a microphone inside Sabor and my voice via a microphone
at the base Station.On the main Aluminium Chest where 2 nipples which could be removed giving access to the frequency adjust for signal and Voice.
Relays, each function had its own relay, 4 batteries 2 in each leg gave it the stabilizing
weight and power.There was an AC converter for AC functions,drive motors where DC powerd,other function where clutch chain driven.
The Radio and remote functions where AC powerd with a two way channel function.
Example:
Peter(owner) asked "Sabor……..how are you……". I replied "not too good have a
cold……sneeze….". Now often the voice frequency needed adjusting, that is when he put
his hand in through the chest to adjust (Applaus and laughter from the spectators)
Display:
Usualy we where booked by an Agent…..Store, Theater, Show, Fair and Fairgrounds,but also a 6 months Tour of the US including TV apperance NBC New York,Various shows and commercial venues…

[late January 2008].

Further  Questions :

RH: Who was Bobby Lugano anf Paul Watensberger?

EL: Bobby Lugano was a Conferancie or demonstrator known in the Swiss and Austrian area. He would present the Robot if Peter Steuer was not present.
I believe Watensberger was an engineer from Basel who worked with Peter Steuer in the early days. He would do the functions behind the closed door or curtains during the early days, prior to my engagement.

RH: Sabor always wore a watch, maybe because we was Swiss? I'm guessing that one of the routines was for Sabor to look at the watch and tell the time.

EL: The presenter during a show would say "tell me the time Sabor" the remote station would then activate the corresponding Number, the arm would bend and move towards the head, once there the head would tilt towards the arm and I would respond over the microphone the time. The same would happen if he ask to give the lady a light, a corresponding number would activate the lighter, same with the pistol.
PS.Sabor was also smoking a cigarette, via an air bag in the center which would inhale and exit the smoke via a tube inside the mouth.

RH: Do you know anything about Sabor III & IV?
EL: I dont know too much about Sabor III or IV.

I sent Eric a video clip of Sabor IV  [British Pathe]

ER: What a wonderful shot of film of Sabor.
The Film shows Sabor IV, which I did not work on at the time because I joined in the 1960's only.
I made the modification for Sabor V, although we used the basic shell and some mechanics and electrics from his "Brother".

RH: How long were you with Sabor?
EL: I was with Sabor 1961-1969 then joined the aviation engineering……

RH: Did the shows stop when Peter died?
EL: Yes the shows stop prior to his death and Sabor was banished in to his Garage, where it was eventually given by his wife to the [EBM] Museum.

EL: The 2 smaller brothers Niko where shipped to the US. Niko was a fixed Robot slightly smaller the an adult, fixed on a platform and a hidden taperecorder was built inside of him. Prerecorded messages came from his lips an activated as soon as you removed a piece of information (sheet) out of his hand, usally telling people about the shows program. He would then reach in to his attached box and pick up a new paper.

RH: Roughly how many hours operation on a single charge of batteries?
EL: Batteries where charged up after each performance to make sure of good operation, we had of course plenty of spares (we carried everything in a small campertrailer)

EL: The remote control is not the one of your picture that was the old one and very unreliable.

RH: You say that Sabor could not turn. Does that mean there was a lot of man-handling of him? ie did you have to push him around a lot?
EL: Sabor could turn but we used it as little as possible, principle like a tank- stop one side and he would move slighty to the side…..the actual Robot was mostly on a stage and
did hardly any walking at all.

RH: When you use the telephone dial, you said what '11' was. On a dial '11' is two '1's ?  so the control unit then recognised when you had finished dialling?
EL: When dialling, again principal was like a phone dial after the Number was dialled the action was transmitted via a phone selector relay then to the relay and finaly the
action.

RH: Was Sabor shipped as a single unit, or was he dis-assembled for transporting?
EL: Sabor was dismantled by me, head removed, batteries removed then put on a stretcher with wheels and the placed inside the transporter trailer.

RH: With you skill in various languages, the illusion of Sabor as being an artificial life form must have been very real. How did you get the job of working with Peter and Sabor?
EL: I landed the job because I was a certified toolmaker with electronic and electrical qualification and because I spoke english (trip to the US pending). I guess that was the
crunch to get the job.

[continued February 2008]

RH: The twenty separate units in Sabor's chest, are each of those a separate  function, which control a sequence of steps ie a programmable switch/timer? When you say you dial "11" to perform a function, is that two "1"s, or "0" plus "1" to give eleven?
EL: The units on his chest were individual Relays each for a function, dial 11 gives eleven,there were all two digit functions.

RH: You also mention that you modified Sabor when you first joined. Were the modifications major?
EL: He also had a photocell were you could flash twice was equivelant to 11. The modification where substancial,i.e remote and radio,mechanical improvements,added functions etc.

RH: Here's a pic of Sabor IV as used in a movie [pic from Automates]. Is the Base Station real or just a movie prop?
EL: That was the one for Sabor IV, the modified unit was only about 60x30x40 cm and consisted of a two way communication, microphone, loudspeaker, dial and antenna.
Peter had also a handset which he operated usaly at the beginning of the show.
We also took part in a concert with Lionel Hampton and took part in a display at the arrival in New York harbour with TV crews present.
Also a special audience with ED Sullivan at his 60's shows.
When we displayed at a show,often people would comment that " there is a man inside" were he then would remove the aluminium front chest and displayed the array
of relays etc…….
Most people would believe that Sabor has a great knowlege of everything,thanks to my dictionary and personal inputs,often I would say my brain is not trained to this question try another one.
Also and unfortunately the Base Station was not shown to the public.
 
RH: I had the impression Gertrud Steuer was Peter's wife, maybe its his daughter.
EL: Yes Mrs.G.Steuer was his wife unfortunately I had no contact with her since 1961.
 
RH: When you were "SABOR", did you talk in a Robotic-like voice  "Hel-lo , how – are – you – to – day?"
EL: My voice was not robotic but just slow motion and depending on the language and pronouced as needed.

RH: what was the material covering SABOR's legs, and were his hands beaten out of aluminium?
EL: The hands and feet(shoes) were in Aluminium,the legs were a very tough thick leather which bound in the back similar to shoe laces in order to get quick access to the batteries.

RH: The picture on the cover of the book "Die Roboter Kommen!". I always thought that was Sabor IV, not V [it is Sabor IV].  Externally, is there someway to tell the difference?
EL: The book " Die Roboter kommen" is mainly Sabor V and unfortunately not many people are still about to tell you more then I can about it. Sabor IV was just a lot less
complicated with a poor quality material, relay radio etc,also the mechanical bits where not good quality and lots had to be replaced or modified.

EL: When I was in the Museum last year [RH-2007] I had to show the administrator how the Robot worked as they had not a clue and we went in to the Archive to find the rest of the utilities i.e. Base Station microphones etc.

EL: P.S. In my later years some of this Robotism must have has an affect on me and I built a fully automatic drinksbar in the shape of Globe with a 110cm diameter.Again you could dial a Number and a certain selected drink would pour in to a glass and the appear at the front of the bar….it would also explain how it works in 4 Languages at the select of a button……but this is another story


Sources and other references:

"Die Roboter Kommen!" – Exhibition catalogue, 2007

QUB Magazine, November 2007.


SABOR's compared – Huber's earlier 1938 SABOR IV on the left, followed by the modifications made by Peter Steuer for SABOR V , then the modifications by Eric Lanz. The far right shows the same internals of SABOR V as modified by Lanz, but externally made to look like an astronaut, and called "Orbitus" at the time. Mechanically, SABOR stayed the same with minor updates.

Externally, SABOR IV is identified by his lack of eye-brows, but more specifically the shorter antennae, being for the ultra-short-wave radio transmitter/receiver. The earlier version of SABOR V externally has a battered body, no eye-brows, and a metal neck, not mesh like the later model.

See SABOR V last version here.


1947 – SABOR V – August Huber / Peter Steuer (Swiss)

SABOR V – showing battered body (arms), and updated electronics. The Second World War interrupted August Huber's plans to implement a further attempt of his SABOR series. The earlier SABOR IV had good mechanics, but Huber was not happy with the electrical controls. Electrical Engineer Peter Steuer continued  Hubers’ work from his 1947 SABOR IV and developed SABOR V and was responsible for the upgrade to the radio equipment and other electronics. In 1951 SABOR V was now in the ownership of Peter Steuer.

SABOR V with Peter Steuer getting his batteries charged ready for a show at Hamburg , Germany in 1952.

These pictures are from a larger collection from LIFE magazine.

SABOR's head carried separately inside the transport vehicle.

SABOR V being unloaded from the back of the transport vehicle. He was carried vertically on the rear of the van. You can just see the removable cover on the righthand side of the image.

Bobby Lugano (pictured?) took SABOR V all around Europe, usually in Steuer's absence, and appeared on the television and at other public events. Bobby Lugano (aged 34) was a Magician and Conferencier from Vienna and Paul Watensperger was his behind-the-scenes assistant.  In this image we see SABOR smoking. A strange method in that the cigarette is held in the hand, the hand is usually moved to his mouth, then exhales through his nose. In reality, there is a bellows inside SABOR and a rubber tube from the hand to the bellows to the nose.

SABOR V in HAMBURG, 1952, with Paul Watensperger (age 29, from Basel) at the remote controls.

SABOR V, the media called him "Louis" for his 1954 tour. The person in front is possibly Paul Watensperger.

Above: Photographed in Hamburg, Germany on the 10 Aug 1952.

Paul Watensperger commanded Sabor by a short-wave radio channel. Under the system of telephone pulses using a 1 to 0 , from the dial electric signals generated on the short wave base-station and transmitted to Sabor to a phone center – housed in the chest – and activated a relay system to trigger the reactions of the robot.
There are theoretically 24 movement possibilities and can be combined with each other.  Hands are usually combinations of three or four basic movements. Sabors basic movements come close to a persons.  He can move
* Back and forth,
* Sideways,
* Lift the arms,
* Bend the arms,
* Rotate the head,
* Nod the head,
* Move the lips.
Only on stages does Sabor still have a serious worry: he has no knees. And instead of shoe with soles, he tramples around in the open on three small wheels, one in the toe of the foot and two at the back, so Sabor rolls with a walking movement. The legs also lack knee joints.
The Metropolis-show advertising Sabor announced as "the first robot. … Without the direct monitoring by human movement". 
Its cruising speed is 2.5 kilometers per hour.
If Sabor speaks, he moves his mouth while in rhythm with the voice, but Sabors voice is the voice of his master, which consists of a short-wave loudspeakers in the inside of the body  of the robot.  The speaker is on relays with the movement of the lips mechanism coupled to the electric shocks of consonants responded folding system of the lips.
The following effects are necessary for exhibition purposes.  Sabor can, for example,
* Blink the eyelids,
* Fire a revolver,
* Offer a light for a cigarette, and finally
* Smoke a cigarette.
The robot, however, smokes strangly. He raises his hand with the cigarette to the mouth and blows the smoke from the nose, but in reality it sucks the smoke – but no one sees – from the hand, up the arm to the nose and blowing it out.


VIDEO CLIP

Gaumont Pathe Archives have a 1952 video of this version of SABOR V. You have to be registered (free) and logged in to see the preview.  Search for "1952 28 8".



August Huber was the owner of a well-flourishing textile business, and although SABOR V had passed control to Steuer, Huber was looking to finance another robot, called SABINE, and SABINE was be be an artificial rope dancer, being capable of riding a unicycle on a tightrope. Huber got as far as designing it on paper.  


SABOR's compared – Huber's earlier 1938 SABOR IV on the left, followed by the modifications made by Peter Steuer for SABOR V , then the modifications by Eric Lanz. The far right shows the same internals of SABOR V as modified by Lanz, but externally made to look like an astronaut, and called "Orbitus" at the time. Mechanically, SABOR stayed the same.

Externally, SABOR IV is identified by his lack of eye-brows, but more specifically the shorter antennae, being for the ultra-short-wave radio transmitter/receiver. The earlier version of SABOR V externally has a battered body, no eye-brows, and a metal neck, not mesh like the later model.

See SABOR V later version here.


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