mar 052018
 

“Ernesto Oroza works and thinks through the potentials of what he calls the “vernacular production” of the periodo especial in Cuba—design works compelled by an extended economic depression following the collapse of the country’s Soviet Union–linked economy in the late 1980s. Having both been trained and taught in Havana’s schools of design, Oroza has also led student workshops examining themes in his work and lectured widely, most recently at the BMW Guggenheim Lab in Berlin and the Ecole Nationale Supérieur de Création Industrielle in Paris.”

read interview: https://walkerart.org/magazine/ernesto-oroza-technological-disobedience-cuba

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jun 152016
 

Tomado de 14 y Medio

14ymedioss

El mercado de las películas pirateadas necesita más que un vendedor con una oferta variada y un comprador en busca de novedades. Muchas veces a la cadena de las copias no autorizadas se suma el eslabón de un subtitulador. Su labor es casi anónima, pero algunos se ufanan de haber colocado “los cartelitos” a cintas muy recientes que circulan en Cuba como El Renegado o La chica danesa. siga leyendo aqui: http://www.14ymedio.com/sociedad/SubtitulosPirateriacu_0_2017598222.html

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