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“Marble is a material that results from the encounter of powerful natural forces; colored veins are the result of a fluid of magma that penetrates the limestone rock. To mineralogists, these shapes that we consider beautiful are, in fact, impurities that invaded the rock. Any piece of marble in Vizcaya may be considered the diagram of a similar process of contamination that has occurred during the life of the building.
Similarly, for almost a century, Vizcaya has been exposed to the pressures of individual, social, economic and institutional forces, in an ongoing process of contamination. One of the most powerful and pervasive of these forces was Paul Chalfin (1873-1959), the artistic director who created Vizcaya’s fantastic interiors twisting and playing with the canon of European decoration. Other major transformations occurred after 1953, when Vizcaya became a museum. For example, to protect artifacts from visitors panels of plexiglass were placed over many surfaces. It was as if a transparent plastic vein had invaded the stone body of the building. Vizcaya itself can be seen as an intrusion into the Miami tropical landscape of 100 years ago.”
Ernesto Oroza, 2011
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 Map (Front)
- Archetype Vizcaya, 2011 Map (reverse)
- Archetype Vizcaya, 2011 The Video Archive (espacioprovisional.info/vizcaya): This archive is a compilation of videos filmed by visitors in the exteriors of Vizcaya and posted on YouTube. They include quinceañeras, weddings, tourists, parties and concerts.
- Archetype Vizcaya, 2011 Map, installation
- Archetype Vizcaya, 2011 The Video Archive (espacioprovisional.info/vizcaya): This archive is a compilation of videos filmed by visitors in the exteriors of Vizcaya and posted on YouTube. They include quinceañeras, weddings, tourists, parties and concerts.
- Archetype Vizcaya, 2011
- Archetype Vizcaya, 2011. Preparatory drawings
- Archetype Vizcaya, 2011 Installation view
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”
- Archetype Vizcaya, 2011 “Espacio Provisional/ Provisional Space: The plexiglass panels that cover and preserve surfaces throughout Vizcaya constitute a gallery I call Espacio Provisional. To show the “architecture” of Espacio Provisional, I use the plexiglass as an exhibition space. On several of them, I have placed a grouping of vinyl silhouettes that represent invasive plants prohibited in Miami-Dade County.”